Table of Contents
“Recorda Me” is a top-tier jazz tune by legendary saxophonist Joe Henderson, first released on his 1963 album, Page One. Written when Henderson was only 15, the composition showcases a sophisticated understanding of harmony and melody—qualities that would later define his legacy in the jazz world. The same tune appears again under the title Do Not Forget Me Now Esquisa on the album In Pursuit of Blackness, reinforcing the idea that in jazz, artists continually reinterpret their work.an essential mindset for those who learn jazz standards.
This course is your step-by-step guide to understanding and playing “Recorda Me.” We explore the form, chord progressions, modal language, improvisational concepts, and provide transcription insights from both Joe Henderson and Michael Brecker. Whether you’re just starting or are a seasoned jazz musician, this deep dive will help you master the chords, scales, and stylistic elements that make this tune a top choice for players looking to expand their repertoire.
Recorda Me - Course
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Oops! This content is for members only — unlock it by upgrading your membership and take your jazz journey to the next level!
Oops! This content is for members only — unlock it by upgrading your membership and take your jazz journey to the next level!
Oops! This content is for members only — unlock it by upgrading your membership and take your jazz journey to the next level!
Summary
🤓 Start by Understanding the Chords and Form
The introduction of “Recorda Me” features a 10-bar ambiguous modal vamp.
The head is 16 bars long:
- A section: Alternates between A minor and C minor Dorian.
- B section: Moves into classic jazz II–V progressions similar to Afternoon In Paris.
🎹 Harmonic Language and Scales
- The dorian mode is the primary choice for the minor7 chords. Different pentatonic scales can be used as well.
- Bebop and melodic minor scales are often used to approach dominant chords.
- Altered scales and tritone substitutions give the soloist expressive freedom and variety.
- Minor pentatonic scales to flavor your melodic lines, especially in modal passages.
🎷 Soloing Concepts: Joe Henderson and Michael Brecker
Joe Henderson builds his solo using motive development, Dorian-based phrases, and clear chord targeting. He often uses rhythmic displacement, such as 3-note groupings, and chromatic embellishments.
Michael Brecker takes this further with ‘outside’ playing, rapid 16th-note runs, pentatonic expansions, and harmonic density—all while staying grounded in the jazz tradition.
Their approaches offer powerful lessons in:
- Motivic variation
- Harmonic superimposition
- Voice leading between chords
- Mastery of modal language
🎯 Practice Recommendations for Jazz Musicians
Start by focusing on the chord progression of “Recorda Me” by playing the bass line and the arpeggios with voice leading.
Practice the melody in different keys like F minor or D minor.
Work on:
- Voice-led chord voicings
- Motive development
- Using bebop and pentatonic scales across the changes
Incorporate arpeggios, chromatic enclosures, and rhythm variation into your daily jazz routine.
📚 Bonus: Downloadable Tools and Resources
This course is backed by downloadable materials:
- PDF lead sheet of Recorda Me
- Harmonic and melodic analysis, scales and chords to help you start playing confidently
- Exercises
- Notes and exercises from the solos by Joe Henderson and Michael Brecker
These downloads are perfect for integrating “Recorda Me” into your personal practice routine and developing the techniques needed to solo fluently over the changes.
🎬 Final Thoughts: Why Recorda Me Is a Must-Learn Jazz Tune
“Recorda Me” remains a top pick in the jazz world because of its blend of modal freedom and harmonic richness. It is also a tune that is very often played at jam sessions!
Learning to play this tune will sharpen your understanding of:
- Modal improvisation
- Complex chords and reharmonization
- Structured freedom in jazz soloing
It’s also a beautiful reminder to remember the lineage of players like Joe Henderson, McCoy Tyner, and Kenny Dorham, whose recordings on classic albums continue to inspire jazz musicians around the world.

2 Responses
Also Chris Potter’s version of Recorda Me live is interesting.
https://www.youtube.com/watch?v=J9Slb8MqxsY
I had fun recording this quintet arrangement of Recorda Me 🙂