Modern melodic shapes on the diminished scale

What is inside this lesson?

Sam Dillon is giving you a clear, concise and self-consistent system to move beyond bebop and unlock modern sounds over standard harmony. The replay of this jazz masterclass is a must for all advanced players seeking to add modern improvisation lines into their vocabulary.
A PDF workbook with exercises and examples is provided, you can also ask questions and share videos!
 
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Syllabus of the masterclass "Modern melodic shapes on the diminished scale":

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8 Responses

  1. Hello Alex. I am very happy to have bought this course. There are years of work here. I would just like to know how Sam uses the diminished scale on a blues or on a modal piece like ”So what ”? THANKS


      1. Hi Alex. Thank you very much for this clear and precise explanation. it’s not just an answer, it’s a whole lesson that I had in this video. thank you for taking the time to answer me so kindly. I really appreciated it. Thanks a lot


  2. Alex and Sam Great workshop!!I have the 1st Shape worked out in all 12 keys.
    2nd Shape A C Eb G# B G# Eb C D
    3rd Shape A C F G# B G# F C D ???
    The pdf was not plain- hopefully I heard correct!!!!!


    1. Hi Nayland, thank you for the kind word, I’m happy to know you’re enjoying the masterclass! The three shapes are:
      1- Dim. Maj7 => C Eb Gb B
      2- Min. Maj7 b6 => C Eb Ab B
      3- Sus4 Maj7 b6 => C F Ab B

      Practice these with inversions and use them on II V I phrases, you can of course use the example from the masterclass but try to write phrases yourself too!


  3. Here I am practicing some ideas from the masterclass on Speak Low:


    1. I like to practice with the drums only, the ultimate test to see if you know the form and don’t get lost!


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