
-
Results for {phrase} ({results_count} of {results_count_total})Displaying {results_count} results of {results_count_total}
- Login
- Courses
- Members
- About Alex
- Jazz Masters
- Contact
- FAQ
Trustindex verifies that the original source of the review is Google. Very clear and usefull ! I started with seeing the 7 fondamentales and i believe.. it s fondamental ! 🙃 FabienApril 20, 2024.Trustindex verifies that the original source of the review is Google. Muy interesante clase sobre los ecursos improvisativos de John Coltrane. La he disfrutado mucho. Richie FerrerFebruary 26, 2023.Trustindex verifies that the original source of the review is Google. The Jeff Ellwood masterclass was a blast! Clear, straight to the point. Another fresh perspective to develop the bebop language. Join the JVL tribe as soon as spots are available and your playing will certainly improve. Guaranteed! Matteo ComelliniJanuary 22, 2023.Trustindex verifies that the original source of the review is Google. Always golden lessons with the great Alex :) Leön SangälaDecember 20, 2022.Trustindex verifies that the original source of the review is Google. Excellent! I highly recommend this music class. Alex is an excellent musician and a very good pedagogue. Maximilien-Christian GorisOctober 16, 2022.Trustindex verifies that the original source of the review is Google. excellent information and presentation Harold PurvisMarch 26, 2022.Trustindex verifies that the original source of the review is Google. Du concret ! Les leçons avec Alex Terrier, c'est pas du chiqué. A chaque standard les concepts théoriques sont abordés, et immédiatement mis en pratique. Rien à voir avec des cours vidéos impersonnels, là on peut interagir collectivement avec le prof (très sympa). Bien entendu les replays sont disponibles pour se rafraîchir la mémoire ou bosser d'autres concepts (triades, bassline, ...). Mes seuls regrets sont de n'avoir pas connu ces cours avant, et de manquer parfois de temps pour pratiquer. Mais quelle joie de pouvoir y participer 😊 Lionel BMarch 26, 2022.
Cookie | Duration | Description |
---|---|---|
cookielawinfo-checkbox-analytics | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics". |
cookielawinfo-checkbox-functional | 11 months | The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". |
cookielawinfo-checkbox-necessary | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". |
cookielawinfo-checkbox-others | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. |
cookielawinfo-checkbox-performance | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance". |
viewed_cookie_policy | 11 months | The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data. |
Terms of Service | Privacy Policy
7 comments on “Whisper Not”
Here I am practicing the melody plus the bass line with the 7-stroke clave:
My practice on Whisper not before start with bluesette. Sorry about some mistakes, the coordination is still in process.
I like so much the aug triads on m7b5, are really cool 🙂
Great Dulce! nice job at playing the walking bass through the entire tune! Ilke the augmented triads too 😉
BTW, regarding the particular 9th on the half-diminished chord scale, it can be noted that the major 9th is a chromatic approach (from below) to the minor 3rd chord tone, and the b9 is a chromatic approach (from above) to the root. I use this varying approach (line going up vs. going down) on dominant 7ths as well (in particular, phrygian dominant scale (!) going down).
Hi Alex! I have doubts about the Do solfège in this song. Another Real Book has this song with 3 flats (Cm) and in this one only 1 (Dm) . I can´t decide..
Hi Dulce, if the song starts on Cm and has 3 flats at the key, this is wrong, in my opinion.
That being said, I wouldn’t use the Do solfege here because it modulates too much
Perfect, thank you Alex